理查德·安努斯科维奇(Richard Anuszkiewicz)
艺术家: 理查德·安努斯科维奇
生于: 1930年5月23日；Erie，宾夕法尼亚，美国
国籍: 美国
流派: 欧普艺术
领域: 绘画
机构: 克利夫兰艺术学院，克利夫兰，哦，美国
Richard Anuszkiewicz是美国画家、版画师和雕塑家。他先后在俄亥俄州克利夫兰的克利夫兰艺术学院受训（1948-1953），然后在康涅狄格州纽黑文的耶鲁大学艺术和建筑学院（1953-1955）与约瑟夫·奥尔伯斯一起受训，在那里他获得了美术硕士学位。
f Op Art，20世纪60年代末和70年代初的一场运动。法国的维克多·瓦萨里和英国的布里奇特·莱利是他的主要国际同行。1964，《生活》杂志称他为“OP >”的新向导之一。最近，《纽约时报》艺术评论家霍兰·科特在回顾2000年纽约市阿努斯基维茨&的画廊展览时，对阿努斯基维茨&的绘画进行了描述，他说，"戏剧;这个词让人感觉像是个正确的词_是在复杂的微妙化学反应中。古色古香，使几何学发光，仿佛光从其背后漏出。"Anuszkiewicz在威尼斯双年展、佛罗伦萨双年展和文献展上展出，他的作品在国际上被永久收藏。
被认为是Op Art运动的主要力量，Anuszkiewicz关注当不同的高强度颜色被应用到相同的几何配置时发生的光学变化。他的大部分作品包括正式的结构和色彩效果的视觉调查，其中许多嵌套的正方形形式类似于他的导师约瑟夫阿尔伯斯的工作。在他的系列《向广场致敬》中，阿尔伯斯尝试了色彩的并置，阿努斯基维茨进一步发展了这些概念。在过去的几十年里，阿努斯基维茨继续以Op艺术风格创作作品。当并列时，以及由此产生的光学变化，以及研究在光的变化条件下整体的动态效应，以及光对颜色的影响。"现代艺术）< /P>
Artist :Richard Anuszkiewicz
Additional Name :Richard Anuszkiewicz
Born : Erie, Pennsylvania, United States
Nationality :American
Art Movement :Op Art
Art institution :Cleveland Institute of Art, Cleveland, OH, US
Richard Anuszkiewicz is an American painter, printmaker, and sculptor. He trained at the Cleveland Institute of Art in Cleveland, Ohio (1948–1953), and then with Josef Albers at the Yale University School of Art and Architecture in New Haven, Connecticut (1953–1955) where he earned his Masters of Fine Arts.
He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s. Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op". More recently, while reflecting on a New York City gallery show of Anuszkiewicz's from 2000, the New York Times art critic Holland Cotter described Anuszkiewicz's paintings by stating, "The drama -- and that feels like the right word -- is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it." Anuszkiewicz has exhibited at the Venice Biennale, Florence Biennale and Documenta, and his works are in permanent collections internationally.
Considered a major force in the Op Art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric configurations. Most of his work comprises visual investigations of formal structural and color effects, many of them nested square forms similar to the work of his mentor Josef Albers. In his series, "Homage to the Square," Albers experimented with juxtapositions of color, and Anuszkiewicz developed these concepts further. Anuszkiewicz has continued to produce works in the Op Art style over the last few decades.
Anuszkiewicz summarizes his approach to painting as follows: "My work is of an experimental nature and has centered on an investigation into the effects of complementary colors of full intensity when juxtaposed and the optical changes that occur as a result, and a study of the dynamic effect of the whole under changing conditions of light, and the effect of light on color." (from a statement by the artist for the exhibition "Americans 1963" at the Museum of the Modern Art)
