《镜子/镜子-桌子/桌子》理查德德·阿奇瓦格(Richard Artschwager)高清作品欣赏

理查德德·阿奇瓦格(Richard Artschwager)高清作品《镜子/镜子-桌子/桌子》

作品名：镜子/镜子-桌子/桌子

艺术家：理查德德·阿奇瓦格

年代：1964

风格：极简主义

类型：装置

介质：木质

收藏：现代美术馆（MOCA），洛杉矶，CA，美国

理查德·阿特施瓦格开始研究合成层压板Formica，因为他对这种材料的视觉悖论很感兴趣，这种悖论是“一块木头的图片”：“如果你拿走它，从中做出一些东西，那么你就有了一个物体。”他的实验产生了一些作品，包括镜子/镜子-桌子/桌子，一对不反射的粉色和黄色镶板，镶在桃花心木色的Formica框架中，安装在墙上以模仿镜子的刻度、形状和形状，伴随着一对坐在地板上的盒子，包在福米卡，就像桌子一样。作品同时占据了墙壁的二维空间和地板的三维空间，玩弄着画面与物体、绘画与雕塑之间的关系。

Title:Mirror/Mirror - Table/Table

artist:Richard Artschwager

Date:1964

Style:Minimalism

Genre:installation

Media:wood

Location:Museum of Contemporary Art (MOCA), Los Angeles, CA, US

Richard Artschwager began working with the synthetic laminate Formica because he was interested in the visual paradox of the material as “a picture of a piece of wood”: “If you take that and make something out of it, then you have an object. But it’s a picture of something at the same time it’s an object.” His experiments resulted in works including Mirror/Mirror—Table/Table, a pair of unreflective pink and yellow panels set in mahogany-colored Formica frames, mounted on the wall to mimic the scale, shape, and form of mirrors, accompanied by a pair of boxes that sit on the floor, clad in Formica to resemble tables. The work simultaneously occupies the two-dimensional space of the wall and the three-dimensional space of the floor, toying with the relationships between picture and object, painting and sculpture.