《阿维尼翁女士意见成为历史和安培》帕特里克·考尔菲尔德(Patrick Caulfield)高清作品欣赏

帕特里克·考尔菲尔德(Patrick Caulfield)高清作品《阿维尼翁女士意见成为历史和安培》

作品名：阿维尼翁女士意见成为历史和安培

艺术家：帕特里克·考尔菲尔德

年代：1999

风格：立体主义,波普艺术

类型：裸体画

帕特里克·考尔菲尔德，二十世纪六十年代以来的画家和版画家，在他的作品中分享了波普艺术超然而讽刺的世界观，把生动的、日常的场景和大胆的设计结合起来。泰特积累了大量的图画作品。这幅新版画是毕加索以描写妓女而著称的对抗画作《阿维尼翁》的剧本，它标志着立体主义的开始。Culfield已经颠倒了Picasso的形象，所以我们不是从正面看女人，而是从后面看着她们。这个图像的反转既是打印过程中的视觉双关语，它反转了原始设计，也是法语单词derrire（意为后端）上的口头双关语。

Title:Les Demoiselles d'Avignon vues de derri&ère

artist:Patrick Caulfield

Date:1999

Style:Cubism,Pop Art

Genre:nude painting (nu)

Patrick Caulfield, a painter and printmaker since the 1960s, shares Pop art's detached and ironic view of the world in his pictures, which mix vivid, everyday scenes with bold designs. The Tate has built up a broad collection of his graphic work. This new screenprint is a play on Picasso's famously confrontational painting depicting prostitutes, Les Demoiselles d'Avignon, which marked the beginning of Cubism. Caulfield has reversed Picasso's image so that instead of viewing the women frontally, we peer at them from behind. The reversal of this image is both a visual pun on the printing process, which reverses the original design, and a verbal pun on the French word derrière, which means rear end.