艾哈迈迪法什契安(Mahmoud Farshchian)
艺术家: 艾哈迈迪法什契安
生于: 1930年1月24日；伊朗伊斯兰共和国
国籍: 伊朗
流派: 媚俗艺术
领域: 绘画
1930年1月24日，Mahmoud Farshchian大师出生于伊斯法罕。在成长过程中，他被许多建筑杰作所包围，这些杰作逐渐地、下意识地提高了他的比例、颜色和形式的意识。在他五岁的时候，他的生活将被奉献给艺术和绘画。马哈茂德'的父亲，一家领先的地毯企业的老板，鼓励他对设计的兴趣，并在马哈茂德'的心中播下了艺术的种子。毕业于伊斯法罕美术学院后，他前往欧洲学习西方艺术家的作品。回到伊斯法罕后，艾哈迈迪开始在美术部（后来的文化艺术部）工作。他后来被任命为国家艺术管理者的职位。后来，他加入了德黑兰美术学院作为艺术教授。正是在那里，他创作了许多他独特的杰作。
Farshchian后来移居美国，目前居住在纽约大都市。当他来到美国时，法希安带来了许多珍宝，这些珍宝受到了美国国家图书馆、大英图书馆、自由美术馆、大都会博物馆和哈佛大学的欢迎。他的作品继续在亚洲、欧洲和美国的画廊和博物馆以及私人收藏中展出。Farshchian大师一生中获得了很多奖项，其中包括美术博士学位。他还受到欧洲学术界和博物馆的赞誉。
法什钦大师，画风独特，创造了自己的画派。他的一些天赋是，他奇妙的创造力，他的动机设计，他创造的圆形空间，他平滑和强大的线条，他的创作起伏的色彩。法什契和《39》是一部既高贵又创新的作品。他的主题是从古典诗歌、文学、《古兰经》、基督教和犹太教的圣书，以及他自己的深刻想象中培养出来的。他最杰出的作品是以人的情感和情绪为基础的，这些情感和情绪在优美的脸庞和人物上表现得最为有效。
在绘画时，法什钦经常听音乐，这些优美的节奏为他的笔划、飞溅、有时还有钢丝般细细的笔触设定了情绪。他的画催促我们用内耳和“声音”来听他自己的线条和形式。柔和的声音有着丰富的相互作用：鸟叫声、涓涓细流、瀑布声、汩汩声、俯冲声和俯冲声。他的暴风雨，寒冷的爆炸，熊熊的火焰，和令人毛骨悚然的哭泣被表达得如此巧妙，以至于它们从来没有跨过真正的恐怖的门槛。优美的挥鞭是无法刺痛的。Farshchian以他独特的自然主义表达方式在画布上讲述了许多故事。
Artist :Mahmoud Farshchian
Additional Name :Mahmoud Farshchian
Born : Iran, Islamic Republic of
Nationality :Iranian
Art Movement :Kitsch
Master Mahmoud Farshchian was born in Isfahan on January 24, 1930. Growing up, he was surrounded by many architectural masterpieces that gradually and subliminally sharpened his awareness of proportion, color, and form. At the age of five, it became evident that his life would be devoted to art and painting. Mahmoud's father, the owner of a leading carpet business, encouraged his interest in design and planted the seeds of art in Mahmoud's heart.
While still in school, Farshchian was invited to learn painting from the famous masters of the time. After graduating from the Academy of Fine Arts in Isfahan, he traveled to Europe to study the works of Western artists. Upon his return to Isfahan, Mahmoud began working in the General Office of Fine Arts (later the Ministry of Culture and Art). He was later appointed to the position of administrator of National Arts. It was then that he joined the Faculty of Fine Arts of Tehran University as an art professor. It was there that he created many of his unique masterpieces.
Farshchian later moved to the United States and currently resides in the New York metropolitan area. When he came to the United States, Farshchian brought with him many treasures which were welcomed by Bibliotheque Nationale, The British Library, Freer Gallery of Art, Metropolitan Museum, and Harvard University. His works continue to be exhibited in galleries and museums throughout Asia, Europe and the United States, as well as in private collections. Master Farshchian has received many awards throughout his life, including a doctorate in fine arts. He has also received much praise from European academies and museums.
Master Farshchian, has achieved a distinctive style and created a school of his own in painting. Some of his talents are his wonderful sense of creativity, his motive designs, his creation of round spaces, his smooth and powerful lines, and his creation of undulating colors. Farshchian's works are a pleasing composition of both nobility and innovation. His themes are cultivated from classic poetry, literature, the Koran, Christian and Jewish Holy books, as well as his own deep imagination. His most outstanding works are based on human affections and moods, which appear most effectively in graceful faces and figures.
While painting, Farshchian often listens to music and these beautiful rhythms set the mood for his bounding, splashing, sometimes wire-thin brush. His pictures urge us to listen with inner ears to "sounds" as architectonic as his lines and forms. There is a rich interplay of gentle sounds: birdcalls, trickles, cascades, gurgles, swoops, and swooshes. His tempests, chilling blasts, raging fires, and blood-curdling cries are expressed so artfully that they never cross the threshold of true horror. So graceful is the whiplash that it cannot sting. Farshchian has told many tales on canvas in his unique expression of sur-naturalism.
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